Norwayweb by Bjorn Magnhildoen
Norwayweb was originally part of a series called Protocol Performance realised in 2007 with the support of the Norwegian Cultural Council, section for art and new technology. This work uses specific data collected from a source or sources originating from the national system’s database. The information is scraped from about 4 million Norwegian tax payer’s databases. As soon as you visit the web page, you automatically trigger off the action of collecting the data. On the left side of the interface figures cascade down the page before your very eyes, which gradually evolves into what Magnhildoen calls a carpet. The term carpet is a reference to the textile based craft of weaving.
When opening the web page the viewer becomes a participant in the collection of the data, each number represents one singular individual which is added as you watch it in real-time. It stops when you close the browser and starts all over again if you return. Once the total of the numbers reach 3943077 the carpet is completed. If you leave the browser open on the page of the Norwayweb artwork for I minute, you will have triggered off and received information equivalent to 60 people. The whole work itself is complete once there has been 555 hours of viewing of it. By taking part in the process of web-scraping we become affiliated as peer scrapers in the accumulation other people’s personal tax details based in Norway.
Bjorn has mentioned that he is aware that collecting such data could be ethically questionable and is not clear himself how real it is that a law is actually being broken. As a kind of opt out clause or fail-safe he suggests that, visitors to the artwork could also be peer criminals due to the fact that they are (or we are) going through the systematic process of collecting this information and are not necessarily just passive observers. The complexity of acting out a simple thing as clicking onto a web page and becoming a co-conspirator without the intention of criminal intent, poses some confusing questions. Not only regarding our liberties in respect of are we really to blame for someone’s work of art by just viewing it? But it also begs the question that if Magnhildoen unintentionally (or intentionally) broke the law and involved other people visitors to the work, surely he is the main culprit. Like a drug dealer who peddles drugs, perhaps he is peddling illegal information, by actively setting up a system in sourcing it and then distributing it to others to potentially use. My guess is that all is fine if the Norwegian Cultural Council funded and supported the project.
Bjørn Magnhildøen uses network media for creation, distribution, exhibition, and documentation of his works. His main practice is analog and digital net media and covers a period of twenty-five years ranging from mail art to net art. His work might be characterized as marginal, fleeting, transient; changing, casual; unstable, deviant; ironic, contextual. Many of his recent projects deals with net art books, writing machines and software implemented on the net, live or performative writing and programming, codework, hypertext, and e-poetry. He’s the author of more than fourty books, many of them collaborative and generative works, and also publishes books concerned with net art and net writing.
In the eighties he got involved in mail art. These activities migrated into the emergent electronic networks in the nineties, as did his academic interests, from philosophy, via language, logic and information, to computer science. He has supported himself as a system developer, later as freelance programmer and artist within the field of art and new technology.
via: http://www.furtherfield.org/displayreview.php?review_id=295
Posted on April 28, 2008 at 10:33 AM | Comment (0 comments) | Digg
Johnny Lee demos Wii Remote hacks
[...]Researcher Johnny Lee became a YouTube star with his demo of Wii Remote hacks -- bending the low-cost game piece to power an interactive whiteboard, a multitouch surface, a head-mounted display ... [...]
via http://www.ted.com/speakers/view/id/204
Posted on April 22, 2008 at 02:46 PM | Comment (0 comments) | Digg
Apparent Horizon, Derek Lerner 2008 Digital video 01:30:00 minutes 720 x 405 pixels
Posted on April 13, 2008 at 04:51 PM | Comment (0 comments) | Permalink | Digg
Orwellian self-surveillance by Hasan Elahi
Tracking Transience: The Orwell Project, 2007
Tracking Transience: The Orwell Project is derived from a six month long FBI investigation after the artist was erroneously reported as a terrorist. This experience led him to voluntarily develop a network device, which opens just about every aspect of his life to the public.
Throughout the FBI investigation, he actively decided to cooperate with them to a point of compliance to where the current work now borders on a collaboration with them, albeit unauthorized. The network device generates a database of imagery and locative information that combined with a web-enabled companion tracks him and his points of transit in real-time.
Since the development of this device, his FBI agent (along with everyone else) has been able to track him online. This video installation is created from the thousands of images captured and compiled by his mobile network device along with other information in the database.
Elahi is an interdisciplinary artist whose work examines issues of surveillance, simulated time, transport systems, borders and frontiers. His work has been presented at the Venice Biennale; the Centre Georges Pompidou, Paris; the Kulturbahnhof, Kassel, Germany; The Hermitage, St. Petersburg, Russia; and The Walter Reade Theater at Lincoln Center in New York, among others.
Elahi has one foot in art and one in science. His media is databases and all sorts of electronic information, essentially tracking himself as spies would. He explores the border between society and technology, attempting to bridge the human and the virtual worlds. He analyzes the way technology is packaged to be perceived as desirable and essential by people. Elahi’s process results in translations and mistranslations between the physical and the virtual, between the body politic and the singular citizen.
Tracking Transience: The Orwell Project Website: http:/trackingtransience.net
Artist Website: http://elahi.rutgers.edu/
via: http://www.sundance.org
Posted on April 12, 2008 at 10:46 AM | Comment (0 comments) | Permalink | Digg
Hurling Earth into parallel universe?
matter swallowing microscopic black holes, strangelets, & magnetic monopoles
The biggest experiment in particle physics, the Large Hadron Collider, starts this summer in Switzerland. The goal is to find signs of the Higgs boson particle (AKA the “God particle") as it may ultimately lead to a grand theory of the universe.[1] 200 feet underground, a proton does 17-mile laps at nearly the speed of light. Guided by powerful magnets, it zooms through a narrow, circular tunnel. Then a tiny adjustment in the magnetic field throws the proton into the path of another particle beam traveling just as fast in the opposite direction which happens 10 million times a second. Massive superconducting magnets cooled to near absolute zero by liquid helium will bend 20 micron-wide beams of protons into precise trajectories and crash them into each other.
The Higgs boson, the most elusive speck of matter in the universe. It’s supposed to be the key to explaining why matter has mass. Physicists believe that Higgs particles generate a kind of soupy ether through which other particles move, picking up drag that translates into mass on the macroscopic scale. The Higgs is the cornerstone of 21st-century physics; it simply has to be there, otherwise the standard model of the universe collapses.[2]
Could black holes be portals to other universes?
Some physicists have theorised that black holes might act as spacewarp wormhole portals into alternate universes.
The European Organization for Nuclear Research, known as CERN, the builders of the world’s largest particle collider are being sued in federal court over fears that the experiment might create globe-gobbling black holes or never-before-seen strains of matter that would destroy the planet. The LHC, is due for startup later this year at CERN’s headquarters on the French-Swiss border. Many new and exciting phenomena are expected to occur as a result of these very high energy collisions. It is hoped that some of them will be unpredicted and will point to new directions in our understanding of the structure of matter. At the same time it is legitimate to wonder whether any of these new phenomena may be potentially dangerous.[3]
[1] http://www.newsweek.com/id/128877
[2] http://www.wired.com/wired/archive/12.04/grid.html
[3] http://doc.cern.ch/yellowrep/2003/2003-001/p1.pdf
Posted on March 30, 2008 at 01:56 PM | Comment (2 comments) | Permalink | Digg
[...]Beautiful Losers celebrates the spirit behind one of the most influential cultural movements of a generation. In the early 1990’s a loose-knit group of likeminded outsiders found common ground at a little NYC storefront gallery. Rooted in the DIY (do-it-yourself) subcultures of skateboarding, surf, punk, hip hop & graffiti, they made art that reflected the lifestyles they led. Developing their craft with almost no influence from the “establishment” art world, this group, and the subcultures they sprang from, have now become a movement that has been transforming pop culture. Starring a selection of artists who are considered leaders within this culture, Beautiful Losers focuses on the telling of personal stories...speaking to themes of what happens when the outside becomes “in” as it explores the creative ethos connecting these artists and today’s youth.[...] via http://www.beautifullosers.com
[...]For over a decade, outsider sub-cultures have influenced the mainstream. Now, a feature documentary finally explores that creative ethos driving youth culture and popular art today. First a traveling museum exhibition and book, Beautiful Losers, is now an unique documentary celebrating the independent and D.I.Y. spirit that unified a loose-knit group of American artists who emerged from the underground worlds of skateboarding, graffiti, punk and hip hop.[...]
via Press Release
Posted on March 28, 2008 at 08:50 AM | Comment (0 comments) | Permalink | Digg
Derek Lerner in “Connected Unconscious” group exhibition @ BAM…
Connected Unconscious
Apr 17—May 11
Opening Reception: Thu, April 17, 6—8pm
BAM and brooklynartproject.com have teamed up to produce “Connected Unconscious,” an exclusive exhibition at BAM celebrating the creative possibilities of our web 2.0 connected world. The theme “Connected Unconscious” is a contemporary expression of the collective unconscious: a web 2.0 social network of artist exchanging ideas, work, process and inspiration. The exhibition is a tangible result of that connection. The work will reflect an aspect of this connected unconscious, exploring themes of connectivity, technology, consciousness and our common humanity.
The exhibition features original artwork from ten of Brooklyn Art Project’s rising stars along with five juried selections submitted from the BAP member community of 1000+ artists from over 22 countries.
Foon Foono — Singapore
Josh Heilaman — Oklahoma city, OK
Derek Lerner — New York, NY
Maya Bloch — Tel Aviv, Israel
Helene Mukhtar — Brooklyn, NY
James Cospito — Brooklyn, NY
Sarah Nicole Phillips — Brooklyn, NY
Stephan Fowlkes — Brooklyn, NY
Kim McCartrhy — Portland, OR
Jun-Jun Sta.Ana —Chicago, IL
Brooklyn Academy of Music
Peter Jay Sharp Building
30 Lafayette Avenue
Brooklyn, NY 11217
Posted on March 27, 2008 at 02:17 PM | Comment (0 comments) | Permalink | Digg
listen @ Art Center in Second Life
Art Center presents:
listen
with DJ Astrud Sands
Sat 3.29.08
3-6pm PDT
virb.com/artcenter
astrudsands.blogspot.com
SLurl
Posted on March 27, 2008 at 01:01 PM | Comment (0 comments) | Permalink | Digg
Nokia “Simple Machines” In-Store AV content
Creative & Art Direction: GH avisualagency
Director: GH avisualagency
Producer: GH avisualagency
Sound Design: Jon Philpot
DP: GH avisualagency
Casting: GH avisualagency
Posted on March 25, 2008 at 09:32 AM | Comment (0 comments) | Permalink | Digg
Nokia “Alphabets” In-Store AV content
Creative & Art Direction: GH avisualagency & eight inc.
Concept: eight inc.
Director: GH avisualagency
Producer: GH avisualagency
Sound Design: Roberto Lange
DP: GH avisualagency
Casting: GH avisualagency
Posted on March 25, 2008 at 09:11 AM | Comment (1 comments) | Permalink | Digg
Child-like intelligence created in Second Life
[...]Four-year-old Eddie might behave like a typical young boy. Outside of the Second Life virtual world, however, he is anything but.
The child is a product of logic-based artificial intelligence and complex modelling techniques, and operates on what has been said to be the most powerful university-based supercomputing system in the world.
A creation of researchers from Rensselaer Polytechnic Institute, Eddie has his own set of beliefs, and the ability to reason about his beliefs to draw conclusions in a manner that matches human children his age.[...]
via http://itnews.com.au/News/72057,childlike-intelligence-created-in-second-life.aspx
Posted on March 20, 2008 at 12:47 PM | Comment (0 comments) | Permalink | Digg
It is the five-year anniversary of the invasion of Iraq this week. Thanks to Democracy Now!, last night I learned about Winter Soldier which took place in Silver Spring, Maryland this past weekend. it seems as if no major news networks covered this event so I would like to share.
http://www.democracynow.org/2008/3/14/hundreds_of_veterans_of_iraq_and
http://www.democracynow.org/2008/3/18/winter_soldier_contd_us_vets_active
[...]Cpl. Jon M. Turner's (3/8 Kilo Company, 1st Platoon, U.S. Marine Corps) testimony on March 15th, 2008 included these two videos of Turner's squad firing on Mosques unprovoked, a violation of international law.[...]
Thanks to The Real News Network for posting quite a few videos on YouTube.
Posted on March 18, 2008 at 10:21 AM | Comment (0 comments) | Permalink | Digg
Derek Lerner in “Draw” group exhibition in London @ STOLENSPACE…
photos via Supertouch
http://www.supertouchblog.com/2008/03/13/londonstuntboythe-draw-show-at-stolen-space/
After an overwhelming response for the London debut of the DRAW exhibit, in which over 2000 people were in attendance, the exhibit has been extended for an additional week through Sunday, March 30th.
DRAW is the largest modern drawing exhibition to emerge out of New York. Curated by Erik Foss and Curse Mackey with guest curators by Jamie O’Shea, Tim Barber, Jacaeber Kastor, Damian Weinkrantz, Les Barany, Brendan Fowler, Mike Aho, Sto, Victoria Perez and D* Face.
This museum quality exhibition, features original drawings from over 300 artists in the urban, design, tattoo, animation, skateboard, illustration, music and New Contemporary art worlds. The show is a tribute to the often-underrated but fundamental building-block of visual and graphic art: the drawing. DRAW is currently on a six-country world tour.
Artists whose works are in the show include:
Adam Marnie, Adam Wallacavage, Alexander Juhanz, David Hochbaum, Word to Mother, Amanda Wachob, Amy Kosolowski, Andre Razo, Andrew Brown, Andy Moon Wilson, Annie Ok, Antony Edward Zito, Arik Roper, Athena Razo, Kat Von D, Bob Tyrrell, Bobby Gorman, Brandon Maldonado, Brenda Abbandandolo, Brendan Donnelly, Brian DeGraw, Brian Doran, Brigid Pearson, Carol Lee, Carrie Ann Baade, Chicken Head, Chloe Blackshire, Chris Dingwell, Chris Mendoza, Chris O’Donnell, David Walker, Chris Savido, Christian Fagerlund, Cliff Eisenhut, Clive Barker, Clive Barker, Kate Ruth, Cobrasnake, Colin Burns, Colin Christian, Conrad Keely, Curran Reynolds, Jo Harrison, Leonard Baron, Daniel Martin Diaz, Y Maria AKA Loretta Leu, David Aaron, David Ellis, David Hochbaum, David Schwartz, Daze, Derek Lerner, Doug Anson, Doze Green, Dr. Revolt, Elizabeth Huey, Eric White, David Hochbaum, Glenn Barr, Gregory Kramer, Hacula, Hal Robins, Harry Druzd, HR Giger, Isaac Lin, Ivory Serra, Aurelio Valley, J Penry, J Adam McGalliard, TAB, Shelter Serra, JASOR, James Tully, Jason D’Aquino, Jason D’Aquino, Jason Grabowski, Joy Coletti, Jean-Pierre Arboleda, Josh Goldberg, Jeff McMillan, Jennie Jieun Lee, Gerard Way, Jacaber Kastor, Filip Leu, Joe Capobianco, Mike Diana, Joe Heaps Nelson, Stk Mountain, Joey Remmers, John Andrew, John John Jesse, Julio Rodriguez, John Seabury, Jonathan Levine, Jonathan Weiner, Jordan Isip, Cliff Eisenhut, Joy Coletti, Jud Burgeron, Julia Marchand, Wim Wallace, Katy Horan, Kimberly Sheridan, Kris Chau, Kristen Schiele, Lance Bradley, Lee Conkin, FatBoy, SickBoy, Lesley Oliver, Leslie Sternberg, Lisa Lebofsky, Louie Cordero, Lucas Irwin, Lyndsea Cochrane, MaDora Frey, Mara Lea Brown, Marcus Burrowes, Maria Nielsen, Mark Bode, Mark Dean Veca, Mark Gonzales, Mary Raap, Melanie Vote, Melinda Beck, Michael Ponce, Brendan Fowler, Miran Kim, Gregory Kramer, Nalla Smith, Lance Bradley, Neke Carson, Nik Moore, Patrick Conlon, Paul Raven, Peter Thompson, Rachel Schmidhofer, Randall Sellers, Rich Jacobs, Rick Griffin, Rob Leecock, Ron English, Rostarr, Roy Miranda Jr, Ryan Skully, Scott Cambell, Sean Dack, Michael Manning, Jean-Pierre Roy, Gibby Haynes, Lucas Irwin, Stephan Jay Rayon, Stephanie Tamez, Steve De Bruyn, Steven Bliss, Tara McPherson, Thom Lessner, Tim Biskup, Tobin Yelland, Travis Louie, Andre Razo, Tristan McCormick, Van Arno, Vaughn Bode, Wes Lang, Lyn Z, Pamela Tait, Kristine Leone, Blake Bermel, Nathan Nordstrom, Zach McDonald, Kathy Grayson, Hank Williams III, Jason Schmidt, Jad Fair, Mike Krone, Goldmine Shithouse, Tara McPherson, Mike Aho, Nathan Gorman, JK5, David Foldvari, Damien Weinkratz, Vincent Castiglia, Chris Cycle, Derek Hess, Jesse Aldana, Ryan Scully, Word To Mother, Paper Monster, Mr. Andre, Aurel Schmidt, Kat Von D, John Royal, Chase Booker, Mark McCoy, Michael Ponce, Yuri Masnyj, Ben Cho, Annette Monnier, Mara Lea Brown, Carl Bennett, Corey Miller, Chris Johansen, Nate Loman, Orpheus, Leo Fitzpatrick, Con Trubkovich, Nate Loman and Aaron (The Don), Jennie Jieun Lee, Jethro Haynes, Kembra Pfahler, Matt Leines, Titine Leu, Tom Jennings, Gibby Haynes, JASOR, Matthew Rodriguez, Curse Mackey, D* Face, D*Face, Matt Damhave, Carol Lee, Dist, John Seabury, Nelson Loskamp, Oryca, Matt Johnstone, Jeff Ladouceur, Dianne Barcelowsky, Meryl Smith, Jason Butcher, Lyn Z, Nikole Lowe, Phil Kyle, Bob London, Jaret Penner, French, Sto, Normen Reddes, Oryca, Mary Raap, Mi Mi Leung, Abra Casandra, Maya Wild, Alex Binnie, Mark Giles, Hellovon, Ian Stevenson, Michael Manning, Nelson Loskamp, Jason Atomic, Andrew Kuo, Nicola Pecoraro, Kelly Tunstall, Andrew Brown, Alexis Trice, Will Ainley Page 36 -David Bray, Mark McCoy, Nathan Jensen, Sean Pierce, Angela Boatwright, David Stoupakis, and Brendan Fowler.
25 artists from the UK are debuting works. Their pieces will continue as part of the DRAW exhibit as it continues from London, on a six-country world tour that includes showings in Tokyo, Berlin, San Francisco and Los Angeles.
The exhibit debuted in October of 2006 at Fuse Gallery to phenomenal response from audience and press alike. It had an equally impressive showing during the SXSW 2007 Music and Interactive-Film Festival in Austin,Texas.
DRAW at StolenSpace is made possible by true support from Vice UK, Vans, Slam City Skates, MyToons, Action Arts Agency and Sosho.
STOLENSPACE GALLERY
Dray Walk, The Old Truman Brewery
91 Brick Lane
London E1 6QL
United Kingdom
P: +44 (0) 207 247 2684
info[AT]stolenspace(D0t)com
Flickr
OPENING TIMES
Tuesday - Sunday
11:00am - 7:00pm
Nearest tube:
Liverpool Street or Aldgate East
Posted on March 16, 2008 at 08:14 PM | Comment (0 comments) | Permalink | Digg
Fruits Frais opens in Karachi Pakistan
I am happy to announce the opening of Fruits Frais, a new concept store in Pakastain where some of work will be on exhibit. This is just as Vote-counting began in Pakistan today… “after voters defied bombings and shootings to cast their ballots in elections… The parliamentary polls were meant to cap the transition to civilian democracy after eight years of military rule, but took place in the shadow of surging violence including the assassination of former premier Benazir Bhutto.” It seems a bit odd to just simply get excited about a new concept store opening in Karachi while all this is taking place, but at the same time very uplifting to be included in such a tiny way in the unfolding new democratic Pakistan.
READING CARDS IS NOT ENOUGH
Fruits Frais
THE FIRST CONCEPT STORE IN PAKISTAN
NOW OPEN
FEATURING:
DEREK LERNER (NYC) AYAKO (TOKYO) MERIJN HOS (UTRECHT) AKANYC (NYC) + EXCITING COLLECTION OF LINEN WEAR & JEWELS & WEIRD ESSENTIALS
SHOP NO: 3 PLOT 31-C LANE 1
DEFENCE STADIUM PHASE 5 KARACHI
Posted on February 18, 2008 at 11:14 AM | Comment (1 comments) | Permalink | Digg
The Dalai Lama, The Torch & Steve
Steve Varon had a vision of the Dalai Lama carrying the 2008 Olympic Torch in part of its planned route to Beijing. Due to China’s political standing with the Dalai Lama, Steve’s vision is going to take a lot of work to become a reality. Submitted for the Pangea Day contest.
Produced and Directed by my good friend Greg Brunkalla.
Posted on February 16, 2008 at 01:23 PM | Comment (0 comments) | Permalink | Digg
reBlog of “Virtual art online commands high prices in the real…
SOPHISTICATED INVESTOR
Pixel power
Virtual art online commands high prices in the real world
By Thomas Kostigen, MarketWatch
Last update: 7:32 p.m. EST Feb. 12, 2008
SANTA MONICA, Calif. (MarketWatch)—Art collectors are served well by the World Wide Web, allowing them to better compare prices, histories and upcoming auctions, and to buy and sell on the world market at the click of a mouse. But the agent of change may be the product of change itself: Virtual art is becoming big business, with artworks created online fetching thousands of dollars, and pixel space selling for millions.
Second Life, the virtual world that mimics the real world, has held art auctions fetching big prices. And curiously “real world” galleries have sold artworks based on online creations—capturing the image, enhancing it and transferring it to canvas. (Those pieces reportedly sold for $10,000 each.)
It may all sound strange. But Web companies and galleries, online and off, as well as the traditional art world have all joined the foray in the new, new world of art.
The Museum of Modern Art in New York City is staging an exhibition beginning this month entitled “Design and the Elastic Mind.” It will include all sorts of representations of modernity and the future based on innovation. MOMA says the art derives from “designers’ ability to grasp momentous changes in technology, science and social mores.”
ARTNews magazine this month is running a cover story on “The Newest New Media,” as well as several inside features devoted to the subject.
“Blogging has supplanted the construction of personal Web pages. Flickr, which lets you send messages to and connect with fellow shutterbugs, has overtaken Ofoto, a site on which people could just post their photos. Tagging, a method of organizing content via shared interests, has superseded online directories. And constantly updated, user-generated sites like Wikipedia have a cachet that single-author publishing lacks. Now these technologies are breathing life into Web art,” the cover story in the magazine says.
To be sure, new media art isn’t new. In the 1990’s a New York artist famously sold a work of pixel art for a million dollars. And pixel art sales are still prominent: A British man sold a million pixels on his homepage for one dollar apiece; The Wall Street Journal reports a personal finance web site is selling pixels on its site as startup capital; and pixel advertising is growing—literally buying the space on a site.
Those are derivatives of Web art, of course. Real Web art, if anything can be labeled “real” in the virtual world, is comprised of artists taking their crafts into the digital age. This means creating digital images for the screen; byte sized images.
ZERO1, a digital arts festival, will host its second event in San Jose in June and other stagings are held the world over from Berlin to Beijing. Art News notes that The Walker Art Center in Minneapolis and New York’s Museum of Contemporary Art are building collections.
A market reaction
When museums collect, armies of artists can be born. It also means private collectors will take notice and auction houses will carve out niches. Why? Markets are being created.
When long-standing institutions embrace the credibility of new forms of art it means a lot to new artists; their work won’t be fleeting. Works will have the chance to become valued assets of estates, loaned to exhibitions and permanent collections. They may even get to become part of a wealthy person’s passion. Bill Gates, for example, reportedly owns holographic art images.
Until catalogs set prices for artists and their works, however, digital art values will remain in the eye of the beholder. And that beholder had better have a computer. Digital art only shows on digital platforms.
Art collectors, however, may want to think more seriously about digital art form. We are on the cusp of the Digital Age. How many would have liked to have had been purchasing artworks when other ages (Impressionist, Modern, Post-Modern, etc.) dawned? Everyone, I’m sure.
So now may be the time to create a portfolio of art that could be worth a fortune in the future. And the genius of it is that you can even carry it with you—on your iPhone.
Copyright © 2008 MarketWatch, Inc.
VIA: http://www.marketwatch.com/news/story/virtual-art-online-commands-high/story.aspx?guid=%7B3B015D12-CD75-4AA2-B9E5-ABD22BE50400%7D
Related:
You’ve Seen the E-Mail, Now Buy the Art
Guggenheim to Add Digital Art to Its Collection, June 1998
Ars Electronica
Rhizome At the New Museum
Alex Tew
The million dollar kid
Posted on February 13, 2008 at 03:14 PM | Comment (0 comments) | Permalink | Digg
A new blog dedicated to showcasing the most progressive and inspiring garbage in NYC and beyond.
Please send your trash.
http://theartoftalkingtrash.blogspot.com/
Posted on February 06, 2008 at 10:09 AM | Comment (0 comments) | Permalink | Digg
“Jung von Matt/next, the agency for interactive and innovative communication, presents the project “Tagged in Motion”: Graffiti artist DAIM “sprays” digital graffiti into empty space.“
Posted on February 03, 2008 at 06:34 PM | Comment (1 comments) | Permalink | Digg
My man Shep is on a mission to motivate people to vote. Buy a print to help the street campaign.
[...] Call to Action! As many of you may be wondering what’s the deal with this latest print, well, here is the lowdown… Shepard recently created this print to stir up some motivation for individuals to get up and participate in the Presidential Electoral process. These past 8 years have been rough, watching and experiencing a great nation get demoralized by an Administration with selfish intent. We hope to change that this time around with some promising Presidential Candidates. Shepard created this print with the goal to fund a campaign to hit the streets with these pasters to make a call to action to VOTE! These prints will be available sometime this week so keep an eye on the site. Screenprint Edition of 350, 24″ x 36″, at $50 each. 1 VOTE per customer. [...] via http://obeygiant.com
Posted on January 29, 2008 at 03:36 PM | Comment (0 comments) | Permalink | Digg
The Commons: The Library of Congress partners with Flickr for pilot…
Posted on January 24, 2008 at 03:39 PM | Comment (0 comments) | Permalink | Digg
Machinima shot in MTV’s virtual world, vLES, the virtual Lower East Side of New York City.
director, producer, writer: Annie Ok
assistant director: Derek Lerner
song: The Exeter Popes, “Temporary Skin”
Posted on January 21, 2008 at 01:13 PM | Comment (0 comments) | Permalink | Digg
Machinima shot in MTV’s virtual world, vLES, the virtual Lower East Side of New York City.
director, producer, writer: Annie Ok
assistant director: Derek Lerner
song: Soft, “Droppin’”
Posted on January 21, 2008 at 01:12 PM | Comment (0 comments) | Permalink | Digg
Machinima shot in MTV’s virtual world, vLES, the virtual Lower East Side of New York City.
director, producer, writer: Annie Ok
assistant director: Derek Lerner
song: The Vandelles, “Dead Wave”
Posted on January 21, 2008 at 01:09 PM | Comment (0 comments) | Permalink | Digg
