Alan Ket

The most recent post by Alan Ket was 2 days, 13 hours ago…

Alan Ket
Alan Ket

New York, New York

I recently spent some time visiting friends and doing some public speaking out in Copenhagen and Malmo, Sweden on the topic of getting up, getting over, and staying free. My past experience with the police and the court system has given me a first hand look at what to do and what not to do. The discussions were well attended and well received and I am thankful that the local writers came out to kick it and hear some sound advice. While I was out there I was glad to see so many active writers keeping the city and this movement alive. Legal walls were rocked of course but what impressed me the most were the amount of panel pieces and end to ends that were running in service day after day. I decided to spend some time benching the trains and catching some of the action. Here are a few shots. Ah, if this were only New York…..

Posted by Alan Ket on July 21, 2009 at 05:15 PM

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2 Comments

The latest comment was posted 3 months ago…

G Snake wrote… Comment #1 posted on July 22, 2009 at 10:44 AM

Sabe is one of the dopest writers in europe

Gustavo Coelho wrote… Comment #2 posted on August 17, 2009 at 11:03 PM

Hey KET, I get to know by my friend DJAN, because he has been showing something about the São Paulo’s Pichação there in the Cartier Foundation. So, I am from Rio de Janeiro and instead of some equalities between São Paulo’s pichação, we have here several diferences, so I am coming here to show you the website of the documentary that I am independently producing. Take a look:

It is with a huge enthusiasm and anxiety that we release the website of the Brazilian documentary Light, Camera, PICHAÇÃO.

“PICHAÇÃO” is not graffiti. It is a distinction that only has happened in Brazil. As it is incomprehensible for most of the people, is made especially by a peripherized youth, and, of course, stamp the walls without authorization, it became crime, situation that justifies for the society in general all violence that the “pichador” is subjected. Art of not being caught! What a subversion is to sign the whole city with your invented name, especially a city that seems to be not projected for you? This film is so a chance to find in these aesthetic productions, susceptible to be named as “criminals”, fonts to think with audacity, the fragmentations and indifferences that constitute a huge part of the contemporary challenges for our society.

The camera always came back literally wet. Camera as aerosol, always on hand, in risk. And us, tired and nervous, paradoxically couldn’t sleep immediately. So, was exactly this uncatchable force that made the film keep on moving naturally, in a way that, almost not perceiving, we had already reached, in around 3 months, a great material, most of them shot in missions at drawn.

The film proposes a companionship and a sympathy for what, at first view, is incomprehensible, and because of that, a justified target for violence. Family, job, friends, loves, risks, affects, street, city, dawn, barbecue, beer, in other words, a film that is interested, above all, in common afflictions of a contemporary peripherized and urban youth.  How much of a “pichador” is inside of all of us?

http://www.luzcamerapichacao.com.br

With 2 trailers already available online, the website, as a way to encourage the visitation, promises that new videos will be released each month. In this way, the BLOG is the Best way to be updated - you can known how was the adventures during the filming process, and be the first to known the future news, that must be goods. Of course, you can and should send us your comments!

http://www.luzcamerapichacao.com.br

Now you can be updated with the whole process of the LCP Documentary, in several ways:

Community in orkut: http://www.orkut.com.br/Main#Community.aspx?cmm=93244575&refresh=1

Fotolog: http://www.fotolog.com.br/lcpichacao

Twitter. Follow us! Every day here: http://twitter.com/lcpichacao

Thanks all for the comments, critics, regrats, and especially the ones that are helping with the divulgation.

http://www.luzcamerapichacao.com.br

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LCP - Production

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Ket grew up in Williamsburg, Brooklyn, New York. From a young age, he fell in love with Hip Hop culture and the graffiti art movement, During his college days at New York University, he founded STRESS, a publication dedicated to celebrating urban communities, Hip Hop culture and educating youth about their rights. This magazine went on to have international distribution and being translated into Spanish language as well. Through Stress magazine, Ket created a program with Riker’s Island prison to donate magazines to inmates and to take Hip Hop musicians to perform at the prison system in order to reduce violence and connect them with the outside world. He was also one of the founders of Black August, a collective made up of Stress magazine staff and The Malcolm X Grassroots movement, in order to raise money and support for political prisoners and exchange music and ideas with youth in countries with emerging Hip Hop scenes like Cuba. Most recently he was a founder of Complex magazine along with Marc Ecko, and started a publishing imprint, From Here to Fame, to preserve Hip Hop’s rich history and to provide an imprint for marginalized writers and artists. He also has served as a consultant to Ecko Unlimited on both their apparel and video game businesses, MTV, Lugz, Vibe magazine, PepsiCo, Timberland, Azzure Denim, and many other brands.

www.stores.ebay.com/the-walls-belong-to-us

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