Mare 139

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Mare 139
Mare 139

South Bronx

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Download PDF Format to read whole piece. http://www.stylewars.com/PDF/sofarremoved.pdf


So Far Removed

By Carlos Mare139 Rodriguez Published by Dokument Folag 2007 Berlin


One could have never considered the consequence of one persons scrawling on a cave, wall, or train many years ago, how these gestures would ultimately hold so much power and individual meaning forevermore.

I’ve come to understand the meaning and purpose of these actions over the years as a result of being influenced by train writings in the mid 1970’s. At first I was aware of the obvious, the environment around me which was a disabled New York City, it was a city torn apart by the divide of the civil rights era, as well as the financial neglect from State and Government. The conditions around me were both hostile and electric, the South Bronx and many of the minority neighborhoods were in a state of urban decay, buildings were being set ablaze by landlords to collect on insurance money, Police corruption was at an all time high and the effects of the Vietnam war were being handed down to the next generation. Drugs and violence were all around me, there was nothing to shelter me from it and nothing my parents could do about it because we were too poor to move elsewhere. Being so young and living in a place where you were forgotten and marginalized it is no wonder we had to invent an alternate reality for ourselves. Initially I recall little of my personal expression or individuality I existed as most ghetto kids, poor and disconnected. My childs play were street games and running around abandoned burnt out buildings and playing in the brick lots of broken dreams. I knew very little of the world outside this existence except for the occasional trip into Manhattan which was a marvel to me…..


Download PDF Format to read whole piece. http://www.stylewars.com/PDF/sofarremoved.pdf

 

Posted by Mare 139 on March 26, 2008 at 09:08 PM

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2 Comments

The latest comment was posted 1 year, 7 months ago…

Paco wrote… Comment #1 posted on March 27, 2008 at 02:54 AM

Dope. I wanna reprint this in my next photocopy zine.

Geezer wrote… Comment #2 posted on March 28, 2008 at 02:10 PM

great piece.

Reply…

Respectful opinion and debate is welcome, but comments that are defamatory, indecent, abusive, off-topic, or in violation of any of our rules or terms of service will be removed and your user account will be banned. Read the posting rules here.

Carlos Mare 139 Rodriguez is an internationally acclaimed artist/sculptor and pioneer in the art and culture of Hip Hop. Leading his generation into a new world of possibility with style writing sculpture, he pioneered a vision that had, before him, no reference outside of the painted subways of the time. Throughout his career as a sculpter, Mare 139 has consistently brought innovation to the genre’s aesthetic and vocabulary. Mare 139 earned the prestigeous 2006 Webby Award for his launch of the Hip Hop documentary Style Wars website. Style Wars has also garnered the COMMARTS/Communication Arts Award, Horizon Interactive Award, as well as SXSW/South by Southwest Interactive. Not only an award winner but an award designer, Mare 139 designed and created the award for the annual BET/Black Entertainment Award show, which is given annually to entertainers, athletes and actors. Recipients include Denzel Washington, Halle Berry, Jay Z, Prince Snoop Dog, Beyonce, Kobe Bryant, Usher, Serena Williams and many others. He also designed a G-Unit Award expressly for 50Cent given to him by fashion designer Marc Ecko. Other award projects include the 2005 and 2007 Red Bull Beat Battle Award and more recent the SPY Award for the 30th Anniversary of the Rock Steady Crew. In 2006-07 Mare 139 worked closely with Director/Actor Robert DeNiro on the film The Good Shepherd as a documenter of ‘the making of the movie’ and as member of Mr. DeNiro’s editing team. His writing has been published in Martha Coopers brilliant photo book Street Play that documents the imaginative ‘play’ of children in the streets of NYC in the late 1970’s. His writings capture the creative play and dangers of his youth in the South Bronx.

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