Martha Cooper

The most recent post by Martha Cooper was 4 days, 23 hours ago…

Martha Cooper
Martha Cooper

New York, New York

No one was more surprised than I to see a series of 7 tiny drawings about graffiti in this weeks’
New Yorker. The New Yorker has long peppered its pages with line drawings of everyday life that
don’t relate to the surrounding articles. For the past few years, these so-called “spot” drawings have
had a theme or told a story. In the March 8, 2010 issue the 7 sequential drawings seen below were
printed somewhat randomly from pages 29-75. They are only an inch or two high.

The story line is a familiar one of a writer being apprehended in the act of spraying and having to paint
over his tag with a paint roller. But the beauty of this particular tale is that the final frame shows our
intrepid hero unbowed and clinging one-handed as he sprays again, this time out of reach of the authorities.
I give the New Yorker a gold star for that surprise ending. For a staid magazine, it’s positively subversive!

Unfortunately it’s nearly impossible to figure out the artist of the drawings because no individual credits for
drawings are given. Big up to you whoever you are!!  Addition—Thanks Alex for pointing out that the spots are
separately credited. The artist is Maximilian Bode. Nice job Max!!






Posted by Martha Cooper on March 02, 2010 at 11:13 PM

  • 4 Comments
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4 Comments

The latest comment was posted 3 weeks, 1 day ago…

Alex Holden wrote… Comment #1 posted on March 03, 2010 at 11:51 AM
The credits for the "Spots" are always listed separately. The artist is Maximilian Bode.
yr momz wrote… Comment #2 posted on March 03, 2010 at 03:41 PM
ya, i always liked those little cartoons and thought this was super-cool when i saw it.
THOR wrote… Comment #3 posted on June 04, 2010 at 03:32 AM
Awesome.
MB. wrote… Comment #4 posted on July 07, 2010 at 01:29 PM
Thank you's! More work here: www.maxbode.com including cleaner files of those spots. Best'O!

Reply…

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Martha Cooper is a photojournalist specializing in art and anthropology. She is among the handful of photographers who methodically documented subway graffiti during the 1970s and 1980s. Her body of work is the most extensive and significant of its kind.

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